The Golden Age Of Hollywood
The Top 200 Movies

9
The Searchers
The Searchers
Release date 13th March 1956
Country:  USA
Running time: 119 minutes

Genre : Western
Starring John Wayne, Jeffrey Hunter, Natalie Wood
Screenplay by Frank S Nugent
Directed by John Ford


This is a masterpiece from John Ford and the greatest Western ever made. John Wayne delivers the greatest performance of his career as Ethan Edwards the most detailed and complex character he ever played.

The film begins with a door opening and ends with a door closing; seven years of deep emotions play out in between.Wayne is an obsessed man whose perceptions are a distorted mixture of prejudice, respect, rage, fear, and love. Instead of limiting us to Wayne's point of view, however, Ford shifts the perspective, using such devices as Jeffrey Hunter's letter to Vera Miles to show different versions of the same series of events.  

Still more impressive than Ford's brilliant sense of narrative structure and visual composition is his superb direction of actors. This is one of a handful of sound films in which more is revealed through facial expression, physical stance, and subtle gesture than through dialogue.

Ford further fills the gaps in our knowledge of Wayne and Jordan's relationship through the parallel characters of Hunter and Vera Miles. It's easy to imagine that Jordan, too, once waited for Wayne to return, but then grew desperate for the security she knew she'd never have with him and married his stable, less complex brother.Wayne's tragedy, and that of The Searchers, is that, while men of his ruthlessness were needed to tame the West, they could not participate in the world that resulted. Walking a thin line between savagery and civilization, Wayne can never fully participate in one or the other.

Trivia - The Golden Age of Hollywood

The film has been criticised as racist because of Ethan's viewpoint of the Commanche which supposedly informed the character of Travis Bickle in Martin Scorsese's Taxi Driver (1976), no it is the memory-jarring act of lifting Natalie Wood after he captures her that brings all his suppressed compassion and love for the dead Jordan to the fore. He could steel himself to shoot the girl from a distance, but physical contact with what remains of the woman he loved dissolves the hate he has been carrying for seven years. So it is a film about love not hate and that sequence where Wayne tells Natalie Wood : "let's go home Debbie" is one of the greatest and most moving in film history.  

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Written content copyright Derek McLellan,2005.
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