


Of course the most tragic story of all is that of silent film legend Norma Desmond (Gloria Swanson in a legendary performance), a lady who believes she will return to movies and still gets loads of fan letters (actually written by butler Max played by great silent film director Erich Von Stroheim). Norma is unaware the world has passed her by, that Hollywood has discarded her like a paper cup, other films have shown the movie industry's habit of doing this but the effect has been as devastating as shown here. Then finally we have Joe Gillis played perfectly by William Holden who becomes caught in Norma's world and cannot escape, rather like a film noir hero, and the film definitely has the noir style.

Wilder
apparently approached Mary Pickford (!) at one point for the role
of Norma before kicking himself for not thinking of Swanson
since she had been Paramount's top star in the Twenties. Ironically Von
Stroheim had directed her in Queen Kelly (1929) and been sacked by her
in the middle of production, though by 1950 there were no hard
feelings. The film uses excerpts from Queen Kelly (1929) and other
silent film stars appear as the "waxworks" in a poker game : H.B
Warner, Anna Q. Nilsson and Buster Keaton. Norma wants to make Salome
and get directed once again by DeMille. The great
director still working at Paramount made a cameo appearance on the
stages while filming Samson and Delilah (1949), appropriate in that it
was DeMille who had established Swanson as a dramatic actress after her
time at Mack Sennett's Keystone.

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