An invalid
photographer believes a murder has taken place in the apartment
opposite his own.
If one film sums up Hitchcock's style of
cinema this is probably it. The film builds on the restrictions which
possibly went too far in Rope (1948) of limiting your action to
specific locales, the film concentrates on what is seen out of James
Stewart's window, it is an
incredibly visual movie. The first instance of this is in the close-up of Grace
Kelly's beautiful face seen from Stewart's point of view. The set for
the backdoor set of flats is extraordinary and incorporates a
whole world in miniature. Hitchcock almost boils cinema down to its
essentials here, in that all watchers could be seen as peering
into a private world. Other films have been about voyeurism but never
has it been so central to the plot and how it progresses, the idea of
whether what others do in their apartments is private
is questioned by Stewart's continued assertion that something is
wrong, that Raymond Burr is behaving very suspiciously. Hitchcock
may be saying we are voyeurs but don't think much about what our senses
tell us, if we do and find something like murder perhaps it has some
justification ?